JTWO Welcomes Intern Jake Horoshko

WHAT I WANT TO DO


By Jake Horoshko

What do you want to do?

This is probably the most annoying thing a teenager can be asked. As you get older and learn to drive and take care of yourself you have to start thinking about college. When that time starts to come everyone is wondering what you want to do with your life. In reality it’s pretty crazy to expect a teenager to know what they want to do with their life when their biggest concern is their next intramural basketball game or what video game they are gonna play when they get home. Those are not the top priorities of someone who should be making major life decisions. So I said what most other kids my age said, “I don’t know.” I played sports my entire life and always intended to play football in college but I knew that my playing career would come to an end sooner rather than later. I had become so invested in sports that I thought maybe I could be a high school teacher and a football coach at the school. That was a path that many people I knew had taken and something I could see myself doing. In the back of my mind however my dream was to work with movies. While sports had become very important in my life, movies were my first love. My grandmother always tells me I learned to work the VCR before I could talk and I would watch the Toy Story movies on a loop everyday. However this just seemed too far-fetched for me to even bring up to other people, especially because my childhood home was about 5 minutes away from pure wilderness and no one I knew ever even tried to make a career in film. I was always considered the funny guy and prided myself on being the most creative person in the room. Looking back it frustrates me that I didn’t realize what I wanted to be for so long but I eventually did.

I started to come to a realization when I was 16 and I went on a vacation to California with my family. Our first stop on the trip to California was Los Angeles and we had a few studio tours planned. I am a massive fan(probably a little too big) on anything you would consider nerdy so this sounded like a dream come true. Our first trip was the Warner Brothers lot and the entire time I was in awe of what I was seeing. I saw home fronts that were used in iconic movies and shows, I saw sets that were being used just a few minutes before I was there and then I was shown the props and costumes from Batman v. Superman and I was at a loss of words. As we walked out I said to myself “I can do this.” After seeing those sets and the people working on them I realized that this was the industry I wanted to be a part of. Movies were movies that meant so much to me growing up and helped shape me as a person, so why wouldn’t I want to help create those moments for someone else? We continued on our trip and went on a few more tours and I continued to be mesmerized by what I was seeing. Countless props and locations that I watched everyday and my mind was made up, this was what I wanted to do. We eventually went home and I continued with my normal life of playing football and basketball and being a regular kid, however it felt like a small weight was lifted because I finally felt like I could answer people when they asked me “What do you want to do?”

As my college search began there were two things I knew, I wanted to study film and I wanted to play football at the highest level I could. After recruiting trips and long phone calls I decided to attend Monmouth University in New Jersey to play football and study communications. I was so drawn to the school because I was offered the opportunity to play Division 1 football for a team on the rise. However I grew frustrated being away from home for the first time and not knowing anyone. I enjoyed communications however I did not love it, and playing football was fun but lots of hard work. I decided I didn’t want to waste any of my time so I had to make a decision. Ultimately my life there did not last long as I left after one semester and I was once again looking for a college.

When I was applying to colleges the first time I was really interested in Temple University because of its high level football, location, and great film program, however I did not get in the first time around. So when I applied again I knew that was where I wanted to be. It was the only school I applied to and that made me very nervous. I eventually got in and decided to attend as a film student and not pursue football anymore. My first few weeks there were great as I loved the school, the location, and the people but I felt like something was missing. I once again decided to take a gamble and tried to get in contact with the football coaches at Temple and tried to walk on. After talking with them I was offered a spot on the roster as a walk on and was once again a student-athlete. I worked hard and had so many great experiences on the team and made lifelong memories. As someone who cried when the Eagles finally won a Super Bowl it is safe to say running out of the tunnel at the Linc is something I could never forget. However I eventually had to make one of the most difficult decisions of my life when I got a concussion during practice, which was not my first. When it first happened I’d decided I probably wasn’t going to play anymore for my health, however as I got better I decided I should play my final season of football. The more I thought about it though the more I realized that telling stories was my true passion. If anyone tells you they loved every second of playing football they are lying right to your face, especially if they played in college. I decided it was time to hang it up and focus on my passion that I eventually wanted to make my career.

Reflecting on my time as an athlete, I learned so many valuable lessons. I felt odd when I was playing because I felt a little different than everyone else on the team. I was a Division 1 football player who had aspirations of becoming a filmmaker. At the same time I felt different in my film classes because there were almost no other athletes that were studying film. At first this made me question if I was making the right decision because no one else was really like me. However I quickly realized that I was gaining experiences that no one else in my space had. This reflects me as a person and who I have always been, I have always thought about things differently than everyone else. I was always the funny creative one rather than the smart analytical one.

As my college career ends and I prepare to enter a new chapter of my life I cannot overstate how excited I am for my internship at JTWO. I know that during my time here I am getting to work with so many talented individuals on so many great and exciting projects. I cannot wait to see how my skills grow during my time here and see how much I grow as a content creator.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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Jtwo Welcomes Intern Matthew Sullivan

SHARING PIECES


By Matthew Sullivan

As I was growing up my grandfather had a saying that he repeated to me over and over again – knowing I was the middle child of a big family and more than occasionally felt lost in the crowd: “You’re a combination of all these incredible people around you.” The idea was sometimes comforting and sometimes horrifying depending on how I felt about my family any given day. I clung to the idea as it gave me a sense of togetherness with my family, and provided me role models to look up to in my siblings. The concept of sharing qualities, interests, and points of view with those around me opened a world of new outlooks and took me from a little kid lost in the crowd to one learning from it. I have my older brother’s sense of humor, as I grew up desperately trying to make him laugh. I share in my sister’s relentless sense of empathy, and therefore her unending passion for social justice. Even my closet is full of vintage pants, t-shirts, and Hawaiian shirts after raiding my grandfathers’ closets to emulate, and revamp, their styles. These pieces, which I originally only emulated, eventually built a strong perspective and sense of self as I’ve grown and made them my own.

The idea of people having the power to influence each other is something that has always guided me creatively, personally, and socially. I’ve always kept in mind that my passions, interests, beliefs, and actions can all be shared to benefit those around me in the same way I’ve benefitted from others. This sense of impact whether it be with family, friends, or neighbors I barely know, has guided me to use film as a tool for change. Through storytelling, whether it be commercial, narrative, or documentary, we can communicate our struggles and solutions, and more importantly we can share in common experiences. In doing so difficult events, subjects, and possibilities can be dealt with and evaluated in a safe environment. These pieces of ourselves, whether they’re positive or negative, simple or complex, can be shared through stories in the same way they can be shared through personal relationships – and I think that holds a power to represent every community.

Though I don’t specifically know where I’m going with my journey in the film industry, I know that I’m bringing a piece of every single person who’s influenced me along for the ride. Whether I end up a Producer, a DP, or something else entirely different down the line, my goal, as vague and simple as it is, is to use the pieces of those around me and share them with others. When I work on social justice documentaries I hope a piece of my sister’s passion for others shines through, and when I’m working on a short or music video for YouTube I’m simply trying to make my brothers laugh. These pieces of others that I see in myself motivate me and help me keep my perspective.

I want to create work that reflects the incredible friendships, families, and communities that I’ve been a part of. This guided me to interning with JTwo, as their work brings attention to the stories of different communities, and brings to light issues and experiences that may not currently be solvable, but must be talked about, evaluated, and felt. The work JTwo does through its internship program specifically interested me as it not only gives young creators the space to figure out the route they want to take, but provides the steps and lessons required to get there. I see this internship as an opportunity to learn and develop both personally and creatively, and I couldn’t be more excited or thankful for the opportunity or to see what the next twelve weeks hold in store.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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Jtwo Welcomes Intern Lauren Koob

FIRE AND FILMMAKING


By Lauren Koob

For as long as I can remember of my 23 years, I’ve been labeled as “difficult” by others. Passionate, over-emotional, fiery, intense, whatever word you want to use for it. It was what frustrated teachers who didn’t have answers to my constant questions and irritated other kids. It was what I was told made things hard for me with socialization overall. When working in groups, I was labeled as “bossy” because I usually had a vision for whatever was being done, artistic or otherwise, and would give people directions. And yet, it was also praised by those same teachers, who would remark to my mother that I was the best out-loud reader in class, that I was the best kid to pair up a new student with, that I was a “pleasure to have in class”. It was confusing, to say the least. The same parts of myself that were applauded in gifted and talented programs and drama club were shunned in my realm of human interaction. This confusion added fuel to the fire, and led me to be even more of a “difficult child”. My angry crying when some boy would make a snarky remark in class increased tenfold, and I grew frustrated with myself. Over time, I grew tired of crying, tired of being the difficult girl, and by the time I was in high school, I wasn’t even myself. I was a shell of the person I was as a child, a mere flame compared to the roaring fire that I came into the world as. I became quiet and docile. I started to stutter when reading aloud in class. I sweat bullets any time someone spoke to me, regardless of who they were. But I was finally no longer “difficult”. In cutting out this part of myself, I had lost touch with who I was as a person, and began to question everything about myself. It was only in the world of art that I still felt that connection to the child I had been a long time ago. It was acting and film that kept me tethered to that last piece of myself left. 

By the end of my time in high school, I had grown bored with trying to fly under the radar. I wore weird clothes and strange hairstyles and said obscene things to make people laugh or get pissed off. I reveled in making people angry, a complete 180 from before. So when it came time to pick what to do with my life, I threw caution to the wind and kicked up even more of a storm than I usually did by deciding to go to art school. I was still an anxious little clam, though, so the concept of becoming a filmmaker and potentially being labeled as “bossy” again still scared me, despite my volatile fashion choices and sailor’s mouth. I decided instead to go to school for acting, and ended up at the University of the Arts (which I just graduated from) here in Philadelphia. Yet, I soon found myself deeply unsatisfied with just doing Acting Major things, and declared myself a film minor my first semester of freshman year. During the single film class I had, something had awakened in me. At the end of the year, I sat down in my advisor’s office and felt a question jolt through me out of nowhere:

“Can I be an Acting Major and a Film Major?”

The short answer was no. The long answer is that the two programs did not mesh schedule-wise, and there seemed to be some resistance towards the idea in general, as it had never been done before. Both my Acting and Film advisors were invested in the idea, though, so the three of us collectively pushed to change the system. I had chosen the school due to their narrative of interdepartmental and interdisciplinary crossover, so why not? It was exciting for all of us, and for once, it felt like I was being truly commended for pushing for what I want. From the beginning, I knew I would have to tack on an extra year of school to pull it off and go over the regular credit limit some semesters, but I had made peace with that. And so… it happened, making me the first of my kind at the University. Most of my time was spent running down Broad Street, booking it from my Stage Combat classes five blocks away to make it in time for Film History or anything else in that vein. Moving forward, I noticed that despite my constant grind, some professors didn’t take me as seriously as other students. At first, I had thought it was due to some lack of skill of mine, or the fact that I was originally just an Acting Major. I distanced myself from my theater school identity when in my film classes and pushed to learn everything I could, but soon realized it wasn’t my acting history; it was that I was female and the students that were treated like actual filmmakers were mostly male.

Growing up, I was the filmmaker of the house. Armed with a small digital camera (one which would be replaced every couple of years due to their inevitably short lifespan back then), basic editing software, and a bored friend or two, I made my first works as a filmmaker. Music video remakes, dramatic puppeted movies using American Girl Dolls as our actors, fake talk shows where I hosted; these were the works that came out of my adolescent mind. I commanded the controls of my ancient version of Windows Moviemaker with the ease of a expert pianist performing for thousands and churned out my 480p masterpieces. Sadly, many of these were lost to time and outdated technology, but honestly… it might be better that way. Those that have survived on old flash drives and laptops are cringeworthy at best, but it’s still nice to have something to look back on. And when I wasn’t making, I was acting in the yearly musical at school and watching anything I could get my hands on. I anguished over not being old enough as an actress or filmmaker to contribute to my favorite films in the ways I knew how. I lamented over the fact that I wasn’t swordfighting or directing a crazy scene or being hailed as my generation’s next big creator. But even during my gripes, I felt more alive than I had felt since I was that child kicking up dirt and driving the adults around me crazy. I clinged to that.

This is by no means me condemning all men in the industry or my male/masculine presenting peers. Men are just as lovely and talented as women! But time spent in feminist film classes and having a space with my female/femme friends to discuss what had been happening to all of us made us realize that our experiences weren’t singular by any means. It was the realization that we were being treated differently that launched me back into my childhood self, full of angry tears. Suddenly I was the same little girl who clenched her fists and demanded respect and an apology from a kid who said something I was told to ignore. I had grown tired of sitting by and letting my friends and I be disrespected, treated like we weren’t real filmmakers and that our work made about the female experience was inferior. Many of us chose to channel this into our work, myself included. But I was also not afraid to speak up. It was during this experience that I truly felt myself become free of my fear of being seen as a “nuisance”, and I realized why I had been labeled the way I have been my whole life.

Because I am female.

Knowing that there wasn’t something wrong with me, that if a boy were to do any of the things that I did which were considered “troublesome”, he would be applauded for “strong leadership skills” or “good character”– it was such a freeing realization. To know that I’m not wrong, but the patriarchal standards set for women, especially in the film industry, are wrong was mind-blowing. I started to actually believe the things I had been telling myself for so long, like that I was talented and a good filmmaker. This whole epiphany came while filming my senior thesis project, and the difference in my presence as a director and filmmaker in general was palpable on set. I learned something valuable. That I need to walk into the room and know that I am talented, that I am of value, and that if whoever it is I may be auditioning for or applying to can’t see that, then there will be someone else who does. I think that’s such an empowering perspective to take. There is nothing to be gained professionally by downplaying your skills and making yourself lesser, aside from patriarchal approval. I have come to embrace who I am, flames and all. I don’t think it’s a bad thing to be passionate or intense or a leader or anything other than submissive and smiling as a woman. Those are qualities you need as a filmmaker, as an artist, as a person. As I’m writing this, I’m dealing with the internal struggle of “do I put this kind of thing out on the internet and potentially not get hired by someone because of it, or do I stay true to who I am and be open with that?” which is proof that I still have a lot of work to do, but I know I’ve come a long way. I’m not different from anyone else in that I have “too many” emotions or fire back when something upsets me. I am a person, just like men, just like other women, just like non-binary folks. It’s just in my nature to be more open about my thoughts and feelings, and I shouldn’t have to be ashamed of that. My journey as a woman and student of feminism and my journey as a filmmaker are so deeply tied together that if I were to separate the two for this, I think it would be a truly disingenuine representation of myself and the heart of my work. So here we are.

Wow, you made it through all of that! Now here’s the part you’re probably looking for: I am ridiculously excited to be interning at JTwo. I seek to create work that explores the depth and complexity of the human condition and am dedicated to raising the voices of those who cannot be or will not be heard in my work in both large and small ways. In addition to that, I have a passion for Stage Combat, and hope to have more opportunities to choreograph fights and expand my list of certifications so that I can use those skills in my work. I think combat is an extension of the extremes of human emotion, and am deeply fascinated by that. (Plus, I was raised by massive nerds, so my Lord of the Rings fangirl self has always loved it.) Overall, I just really want to tell a good story in the best way possible. It’s my belief that giving yourself to the story, to put your body and soul into your work, is one of the most selfless things possible that you can do as an artist. It’s not easy to be vulnerable, to let yourself dive all the way in, but the best work always seems to be made by those who put all of themselves on display and channel that into their creations. I think this philosophy reflects my work as both an actor and filmmaker, and why I was so drawn to this company. After all, “the story is everything”. If your heart and soul isn’t in the things you make, be it a feature film or just an introductory blog post for your internship that probably only five or so people will read, what’s the point?

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

Jtwo Welcomes Intern Lex Forge

THE TRAVELER - A SHORT AUTOBIOGRAPHICAL BLOG STORY


By Lex Forge

Character Description:
Lex Forge (male) – 21 Years Old
A Pennsylvania State University film major seeking inspiration

INT. BEDROOM – DAY

A man — early 20s, unshaven, disheveled hair — sits on the floor leaning against a bed. He’s occupied the same position for some time now. He sits unmoving, his eyes staring forward into space — they seem to be focused on everything and nothing at once. But his outward stillness is deceptive. 

INT. THE MAN’S HEAD – DAY

He’s wading through a thick haze. The room is quiet but a low rumble fills his ears. It sounds like a muffled chattering, an ensemble of indecipherable voices. They coo, they hiss, but they remain unclear. There’s too many, only the occasional word cuts through the noise. The man is tempted to listen closer, to try to understand them. But he knows following them will only pull him further into the fog.

The ever present fog. It envelopes him. In every direction there only seems to be more of it. It’s beginning to slow the man down. Moving through it is disorienting. There’s no tether to follow back to where he started, no indication of where he’s going or where he’s been. Has he always been in the fog? Was there ever a time without it? He just knows he has to keep wandering. He has to keep wandering through that oppressive uncertainty. But suddenly he stops. He has the distinct sensation that he’s reached a precipice. That one more step will send him plummeting over an edge and into that fog forever. Then the whole struggle will have been in vain. There’s a reason he’s reached this point. He believes that. He was meant to reach it. He doesn’t dare move. The rumbling has stopped. There’s an eerie sense of quiet. Is… is the fog thinning?

Then a bright flash erupts through the fog. It explodes with such force that everything is instantly illuminated. There’s nothing but the light now. It washes over the man and for a moment everything makes sense. The fog is gone. The journey is complete. Then as quickly as it appeared, the light vanishes. The fog descends once more.

INT. BEDROOM – DAY 

The man snaps back to reality, feverishly scribbling an idea down on a piece of paper. It was only a brief glimpse but there’s no mistaking it: inspiration has struck. He knows he will have to travel into the fog once more. But at least, momentarily he has silenced his doubts and remembered why he chose to be a filmmaker.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

Jtwo Welcomes Intern Lana Duda

READY TO BE HEARD


By Lana Duda

I see filmmaking as the ultimate form of art. It’s visual, auditory, emotional, informal, and can bring people together. Visual media is something that has become so accessible and dominant in how individuals see and understand the world. Being a part of the film industry gives me the opportunity to create media that accurately represents the truth and heart of a story that can inspire and educate viewers. Film is a window into the cultures and the lives of others. My goal in this industry is to be a part of those stories and help those individuals be heard.

I grew up watching films that changed the way of visual storytelling, Citizen Kane, Tokyo Story, Vertigo, Touki Bouki, etc. Those films have become a foundation towards my storytelling, representation, and the history of film. Film is so powerful and I want to be a part of the new age of filmmaking that elevates these stories to a more equal, realistic, representative level that has allowed more individuals, innovation, and ideas to be seen. 

The funny thing is, I never saw myself heading down this career path. I always had a very natural creative ability, but I grew up in a very math and science dominated school and unfortunately, the arts was something to be budgeted and cut. Not until my senior year of high school did I question filmmaking. I applied to Temple University as a Biology Major and I was not happy. I was doing things that I thought others expected of me instead of taking the risk to say “I don’t know what I want to do”. I declared undecided and took a film class. I finally felt like I was in a space where I could be creative with others. 

From there I declared film and fell in love with Post-Production. In those four years I learned and dedicated myself to working on projects that told an important story. I cannot imagine doing anything else. Post -production is the perfect amount of creativity and technological ability that continues to teach and challenge me everyday. It’s something I can do for hours on end and never be sick of it.

As my final semester at Temple came to an end, I talked to a mentor who told me about JTwo Films. I reached out to their head editor to talk, connect, and ultimately learn from their experiences as an editor in Philly. They themselves interned at JTwo and through hard work and dedication they were recognized and rewarded. Besides their amazing works and stories, that is something that really stood out to me. I had nothing to lose. I applied for the internship and now I am extremely thankful to have this position and be a part of JTwo’s storytelling experience.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

JTWO Welcomes intern Chloe Butler

THE NEXT CHAPTER


By Chloe Butler

If someone had told me four years ago that I would be interning at a film production company in Philadelphia I would never have believed them. I grew up in a small town in the South East of Ireland where the most exciting thing that’s probably ever happened is when a film crew showed up to shoot some scenes for John Crowley’s film Brooklyn.

It seems that most people have an unequivocally clear moment where they figure out what area of film is for them, but I can’t say the same. Even though I studied film in university I was still unsure whether or not it was the right fit for me. I’ve spoken Irish since the age of two and my whole life pretty much revolved around the language, anyone who knew me thought that I would turn out to be an Irish teacher at a school in my hometown and for a while I thought that was where my life was headed too. Even throughout my time at university I had that safety net behind me as I continued to study Irish, alongside film, just in case my little film dream didn’t happen.

It wasn’t until my third year at university after going on a study abroad to Drexel University that I came to the realization that there was absolutely no way that I was going to let that dream fail. Even after my time at Drexel and learning that the film industry was where I wanted to have a career, I still cringed away from that dreaded question ‘so what area of film do you want to work in?’.

Fast forward a few months, after studying at Drexel and moving back home to Ireland, I had one final year left at NUI Galway where I had no film classes my entire final year and I was miserable. All I was studying was my ‘safety net’ subject, Irish. I concentrated all my energy on figuring out how I was to pursue a career in filmmaking after gaining essentially no practical film skills after spending three years studying film while my graduation date was fast-approaching. I had this fanatic notion in my head that once I graduated and had that piece of paper in my hand, I needed to be on track to taking some sort of step in the direction of starting a career in the industry and that if I didn’t make the step then I never would. I’m not sure if I was driven by the hysteria of final year or by ambition or a combination of both, but however driven I made the decision to drop everything and move to the US after graduation. I figured that if I was to have any opportunity to get into the industry what better place than here, where my love for film was reaffirmed and the anxiety that I had made the wrong decision and wasted three years of my life was allayed.

After a year of planning and obtaining a visa I moved back to Philadelphia with no solid plan once I got here. I made a list of production companies in the area, and talked to a few professors I had during my time at Drexel and thus found JTwo Films. After researching the company and later speaking with some of the team I felt like it was a great fit for me. I still wince at the question of what area of film I want to focus on, but I’m confident that during my time at JTwo I’ll be much closer to having a clearer idea of where I’m headed.

  

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

JTWO Welcomes Intern Saba Ahmed

The Next Steps

By Saba Ahmed

Everyone has their own individual path that leads them to realizing why they want to be apart of the creative industry. The reasoning behind my spark with filmmaking is as specific as it can get. My parents did not play a bunch of the traditional classic Hollywood movies that inspired me to make films; I grew up watching Bollywood films. I wasn’t given a camera at the age of 8 and made little short skits with my friends; I mainly took “photoshoot” pictures for my older sisters when they dressed up. My introduction to filmmaking was editing, but before I dive into that let me give you some background about me.

My family is made up of my parents, my one brother and my two sisters (I am the youngest). My dad moved to the USA around the same time I was born in Pakistan. When I was two, we all moved from Pakistan to the suburbs an hour outside of Philadelphia. The intention of my parents move was to build a better life for my siblings and I. For us to have standard careers and to become successful. Filmmaking was definitely not on their radar as what they saw in my future, but it’s something they have learned to accept.

Since my siblings are much older than me, they all got married when I was super young. In my culture, weddings last for multiple days and with these multiple days means lots of photos and videos. One of my sisters got married in August 2008 (when I was in 3rd grade) and shortly after this was when I was introduced to filmmaking through editing. I discovered a fun little software called Windows Movie Maker on my sisters computer and began to import in all the photos and videos from the wedding and add music to make sort of a “visual scrapbook”. As simple as it was, this visual scrapbook began my learning of telling stories. Instead of just photos over some music I would take specific love songs and tell the story of my sister’s wedding by matching the lyrics of the songs to corresponding visuals. This was where I learned many simple yet fundamental techniques that I still use to this day.

Fast forward a couple years, middle school was when I was first introduced to Adobe Premiere and high school was when everything kicked into gear. I got involved immediately with the film classes that were offered my freshman year and the following three years I was apart of RedAlert a 20 minute live show production that aired every Friday. I took on the role of a crew member my sophomore year and producer my junior and senior year. This show taught me how to seriously edit, to write and bring a package together, to pitch an idea, along with more specific live TV roles such as using a switcher, directing for live TV, and even anchoring live (my least favorite yet still beneficial to my learning). I was fortunate enough to know what I loved from a very young age which helped guide where to go for college and what to be involved in.

For me, community has been a very big part of my filmmaking career at Temple University. I was fortunate enough to help found and be the founding President of DKA a Professional Cinematic Society this past year and watch our community go from 14 members to 42 in just one year. With many of these members, I was able to make my debut as Director of Photography and work on a short film called “Stuck in a Hard Place” which is now in post-production. Lastly, I have gotten pretty involved on campus by creating content for many organizations. This has built a great foundation of networking skills for me. Below is a t-shirt promo I shot and edited for a campaign on campus.

These past two years I have really focused on the kind of storyteller that I want to be. What I am starting to realize is my roots (yes the silly wedding video edits) have shaped what is important to me when it comes to filmmaking: telling real stories. Learning about places, people, certain ideas, whatever it may be, and telling this story authentically. I am dedicated to understanding the best way to tell stories that may not be my own but need to be shared.

I was immediately inspired by JTWO and their commitment to telling stories authentically. Their impact on their community through capturing stories of people, places, companies, etc got me really excited to apply to be an intern here. Now that I am here, I am eager to learn more about my specific passion which is cinematography however still grow in all of its surrounding parts because each is fundamental to telling a story.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

JTWO Welcomes Intern Viveka Galindez

New Chapter In My Life: Video Production


By Viveka Galindez

Growing up I always had a fascination for photography. I was 14 when I got my first camera. It was a Nikon to be exact, and it had what I used to call “a fancy lens”. I was born in the United States but moved to Argentina at a young age. I grew up in Buenos Aires, a romantic but chaotic city with a strong passion for soccer. Yes, we love Messi. We also love good wine and steak. 

Before Instagram was even a concept my friends would ask me to take their Facebook profile pictures and we would organize shoots. Mind you, we were all between 14 and 15 years old. I would scout locations in the city or build a “studio” in my house with different light bulbs and backgrounds. I like to think that was the official start of my career. Everyone in school knew me for my photography skills, and later on for my short films. I carried my camera everywhere, even to house parties and the most random places. I didn’t want to miss a perfect shot. It was fascinating to me to have the ability to capture moments constantly. I wanted others to see the beauty in things that I saw through my eyes.

I moved to Washington DC for college and was undeclared for 2 years. I didn’t really know what to do with my life career wise, I was lost and confused. I knew deep inside I wanted to go to film school, but because of fear to fail in the film industry I went into Graphic Design. Then, I went on to a full time position as a designer at an agency. Every night I would go to bed thinking to myself “Do I want to be 40 and regret never having taken a chance in video production?” Thats when it hit me and started to look at video production opportunities. I got an interview at JTwo Films and was extremely nervous as I had no background in video, It had always just been a hobby. A few days later I heard back from the team, I had been accepted in the internship program. This mix of adrenaline, anxiety, happiness rushed through my body. It was such a positive and exciting feeling, because I knew deep down this was life giving me a chance to do what I really wanted to do. I packed my things, moved from DC to Philly in a matter of days. Crazy right? Today as I write this post I am sitting in JTwo Films taking a chance in my career and doing what I should have done years ago. Can’t wait to learn from the team and do amazing work!

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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JTWO Welcomes Intern Jordan Brown

GETTING LOST


By Jordan Brown

I think I’ve always had a thing for getting lost. As a kid, I’ve been lost in grocery stores, lost in amusement parks, I’ve even been lost in school. The more I grew up the more I started to discover. I no longer find myself getting lost- but sometimes grocery stores still get the best of me. To me, getting lost is an adventure. To my mom, it’s a heart attack. Whenever I create a film, no matter where I am at in the process, I find myself getting lost. I lose track of time. I forget my surroundings. There is nothing in the world but me and the story. I think I love creating films and telling stories so much because it reminds me of being a kid- just getting lost.

I’ve been interested in cameras and telling stories for as long as I can remember. However, I come from a small town in south-central Pennsylvania called Lebanon, which is the polar opposite of any sort of Hollywood setting. My grandfather used to have this old Sony that he would take with him everywhere and he would record everything. Anytime he ever came by to visit, holidays or just because, he would have his camera in his hand and would walk around filming everything and narrating what was happening. He was telling a story, even if that story was as small as four-year-old Jordan falling down the stairs and busting his eyebrow open. I remember I used to love to be around him when he was recording, often pulling him to record certain things and wanting to mess with the camera myself.

When I was eight years old, I started to make my first comprehensible films. Well, as comprehensible as the mind of an eight-year-old is. One year we had a snow day. I was bored, it was too cold to go outside. Christmas had just passed and I got a whole bin of plastic army men. That day, I grabbed my mom’s camera, locked myself in my bedroom and created a stop-motion film. I was obsessed. Of course, I had to upgrade to Legos and over time I upgraded to people. I fell in love with thinking of a story, creating it and showing it off.

Fast forward some years to high school, I got serious about film. I had always known that I wanted to be a filmmaker, but I viewed high school as my time to make this dream come true or not. I was heavily involved in sports, but had a passion for storytelling. I was like the real-life Troy Bolton. I immediately got involved with my school’s media club (I was literally the only member my freshman year) and showed up every week and worked on a new project. I got involved with my school’s morning announcements and broadcast program. I remember begging my teacher to create narrative projects rather than news segments, but him telling me to be patient. I had gotten involved with PBS Student Reporting Labs, even airing a segment on PBS Newshour and later securing an internship with PBS for the summer. As great as all this was, this was not me and this was not what I wanted to be doing for the rest of my life.

I had heard of a film festival for high schoolers called the All American High School Film Festival (AAHSFF). There was a film invitational part of the festival where you applied by sending in your work, and if you were accepted you went to New York City for several days to create a short film and compete in the festival. Sure enough, I applied and was accepted. At this point, my teacher looked at me and told me that he would support me in the festival and making the switch from broadcast to film (I will always be grateful for this, Mr. Schwalm). This was my chance to do what I wanted to do. I gave up almost everything for this film. I quit football, I stopped working for PBS and I even left my homecoming date alone at the dance to work on the script (I’m so sorry, but it’s the hustle). I created a team of four other students and myself. We were by far the smallest team at the festival. By the end of the festival, we created a short film I wrote, directed, acted in and edited. Although I held the reins, I am beyond grateful for that crew and my teachers that went along. They saw my vision and supported me even with the odds we were up against. We finished that festival in fourth place out of 28 teams.

After the success of being able to assemble a crew and create a quality short film, I made the switch to film for good. I took any and every opportunity I could grab. I created PSAs, short films, documentaries and whatever I could get my hands on. I loved it. I went back to the same festival, AAHSFF, and placed second which put me in position to work with IMAX by the end of my senior year of high school as a part of their In-Focus Program. I am now able to attend to Ithaca College on a communication scholarship called the Park Scholarship studying film production. This is all because I took a risk on myself.

I am a people person. I believe that film offers a special medium that gives a voice to the voiceless. That is why I base my films off of real issues. I have created films on cyberbullying and teenage depression, immigration into the United States and even the inequity of public educational funding in Pennsylvania. I consider my work realistic fiction. I study topics like a documentary and turn them into a fictional narrative film. My films almost always pertain some sort of message or address a social issue in them. My mom might tell you I’ve always been an activist. When I was a kid, I would create a film with my Legos and my mom would comment on the story something like, “Wow, Jordan. I see the way you had the Lego man in prison as a way to comment on the criminal justice reform system and how people convicted of even peaceful crimes often struggle to ever make it out of the system and adjust back into society.” I would turn to her with an eyebrow raised and agree, but it was clear that she thought I was much more intelligent than I actually was. My Lego-man was in jail for jaywalking and only serving 15 minutes of “hard time”. Now, this is a topic I’d love to actually address.

In my free time I like to explore. I like to get lost, literally. I like to go to places I’ve never been to and meet new people and hear their stories. I still love sports, especially football (go Eagles). I love to hike to the top of a mountain and be able to look out for miles and miles. I love music and concerts. I love my friends and family and wish I could spend more time with them, but they know that even though I can’t always be physically present, I’ll always be there for them. Life is an adventure and that is exactly how I am treating it. I don’t like to stay in one place. I am the guy that will call you at midnight and ask if you want to go on a road trip hours away in the morning. I consider myself predictably unpredictable. I like “spur of the moment” events, which is why when I was offered this internship, the first thing I did was smile and book myself a train ticket and a room in a hostel.

Now I find myself getting lost everyday. I just started a new adventure in my life, here at JTWO. This summer, I will be creating and helping others create all types of different projects with the company of two dogs in the workplace, who are easily the most popular staff here. I love it here already and I am very excited for what the summer holds for me. I am hoping to meet people in the industry and learn from them, after all that is the most important part. I have so much more growing and learning to do. I know that I took another risk on myself by choosing to not take the summer off, move to Philly and spend my time creating. I also know that this is a risk that I will look back on and say, “wow, I could have not have spent my summer in any better way.”

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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JTWO Welcomes Intern Chris Tocchet

STEP BY STEP


By Chris Tocchet

I have never been very talkative or outgoing but listening to people’s stories and experiences have always fascinated me. Understanding how people live their lives, make the decisions they do, and carry themselves through difficult situations is remarkable to me because it’s so different for everyone. Distinct human behavior is what I find most interesting – how two people given the same circumstances can have two completely different stories.

I grew up in a creative household. My dad is an illustrator and currently the Director of the School of Design at the University of the Arts. My mom is a graphic designer who has worked with some pretty big household names like M&M’s and Campbell’s Soup. Saying I have some big shoes to fill is an understatement.

My passion for photography began when I was eight-years-old. My dad got me a small point-and-shoot camera for Christmas. From that point on I was taking pictures of everything – school trips to family vacations – I have it all. Not too long after that, I wanted more technically and creatively. I upgraded to an entry level DSLR that also had video capabilities. While this wasn’t the reason I got the camera, it would soon become the main reason I picked it up.

Throughout my childhood, high school and even now in college, soccer has also been a huge part of my life. My passion for film had me recording things that I loved and knew. Early on, I started making videos of myself playing soccer – shooting, juggling, dribbling, and celebrating goals! While these videos of myself were fun, I realized I wanted to do more. I wanted to tell stories about people I was interested in, to get in deeper to understand them, but I also wanted anyone who looked at my films to relate to the stories and enjoy the experiences with me. This is when I became interested in documentary filmmaking.

I love being able to tell someone’s story, show what makes them unique, and reveal who they are from a new perspective. Sometimes the process leads to stories I wasn’t aware of before I started the project. I have become extremely passionate about this kind of filmmaking and want to continue working in this format and seeing where it takes me.

With this Internship at JTWO, I hope to develop my passions further, learning and collaborating from the creative people all around me and leaving my mark on the projects we work on.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More