JTWO named Top UPCITY Video Production Company Philadelphia


top video production


Our Philadelphia and Chicago studios have recently had the privilege of being acknowledged for our teams creative work by some of our favorite production resources at UpCity.com.

We are happy to be seen as one of the top production studios on UpCity.com and are even more thrilled that our clients have taken the time to give us kudos for the work we have produced for them. Check out some of our clients reviews for more insight!


  • Creative Direction
  • Concepting
  • Scripting
  • Scheduling
  • Budgeting
  • Casting
  • Storyboarding
  • Location Scouting
  • Management
  • Permits + Approvals
  • RED Weapon 8k Package
  • ALEXA Cinema Package
  • Sony FS7 4k Package
  • Drone Capability
  • Producers
  • Directors
  • Cinematographers
  • Grip
  • Lighting
  • Full Crew
  • Location Sound
  • Set Design
  • SteadiCam
  • Ronin + Movi



  • 2D + 3D Animation
  • Cinema 4D
  • Houdini
  • After Effects
  • Blender
  • 3D Product Renders
  • Compositing
  • 360 Degree Virtual Reality Stitching
  • Motion Graphics
  • Finishing Client Suites
  • Broadcast Delivery



  • 2D Motion Graphics
  • Motion Design
  • Kinetic Text Design
  • After Effects
  • Finishing Client Suites
  • Broadcast Delivery



  • DaVinci Resolve
  • Professional Calibrated Monitors and Equipment
  • Broadcast Safe Video Delivery
  • Visual Coherence (balance and tone)
  • Excessive Exposure Fixes
  • Scene to Scene Color Matching
  • Facial/ Surrounding Enhancements
  • White Balance Fix
  • Dailies



  • Sound Design
  • Sound Mix and Master
  • Voiceover/ADR
  • Voiceover Talent Sourcing
  • Music Licensing
  • Original Score Development


JTWO Welcomes Director/Editor Matt Sullivan

Matthew Sullivan

We are proud to announce the latest addition to our JTWO Crew in Director/Editor, Matthew Sullivan. Matt, a product of our [INC]ubator Project, comes to us from Loyola Marymount University with a degree in Film and TV Production. His love for film is rooted in its ability to change perspectives, challenge ideas, and serve as a connection between viewers and creators alike.


JTWO Welcomes Intern Jul Heiden


By Jul Heiden

When I was a child, I found the monotony of my cushy, comfortable life in the East Coast incredibly boring. As the product of a father who grew up in New York City during the seventies and eighties, my parents were understandably protective of myself and my younger sister during childhood. However, the routine of school -> homework -> swim practice -> home -> repeat was hard for someone like me, and I was often envious of my friends and classmates whose parents let them stay out unsupervised until the streetlights turned on. Because of this, I spent a lot of time at home reading books, losing myself in page after page of fiction and fantasy novels. I was especially fascinated by the characters’ relationships with one another, the small things that made them intrinsically human, even relatable. I would spend hours during school daydreaming about the characters in the novels I was reading. I would always alter the story, though, imagining situations that I felt should have happened instead based on the characters’ personalities and relationships with one another. Eventually, as I aged from a child to a “preteen” I started to create my own original cast of characters with the help of a brand new internet phenomenon: social media. When I was around ten years old I began writing my own stories on Word 2003 on my mother’s beat up, virus-infected Dell computer which began my transition from daydreamer to storyteller.

Throughout my middle school years I would consistently start writing stories without actually finishing them. Something I would write in one novel would inspire me to write another with a whole different cast of characters and an entirely new setting. And onceI got the ball rolling with the second novel my attention would be drawn to something different. By the time I reached eighth grade I had a flash drive full of unfinished stories perpetually inserted into my mother’s laptop.

However, during this time in my life I had began to focus my attention on music. I had been discovered by Jennifer Diamond, a successful opera singer and Juilliard graduate who helped me hone my vocal abilities for the better part of five years. While I continued to daydream, I began to write less and less in order to make time for choir practice, voice lessons, and performances. Opera became my whole life—my identity—I rarely had time for anything else. I was in Midtown five days a week for hours on end after school when I was recruited by the New York City Youth Opera, I would commute to Bergen, New Jersey twice a week to rehearse with the Verismo Opera Company, and I even performed at Carnegie Hall with my high school choir. When it was time to submit college applications, I had all but stopped writing stories in favor of preparing for music school auditions.

When I got accepted into music school I was ecstatic, and my first semester at Boyer College of Music & Dance at Temple University was exactly what I expected it to be. However, as I continued my higher education, I felt like something was off. I didn’t know what it was, but I began to feel miserable. How could I not be happy? I thought to myself. This is everything I ever wanted, the culmination of my blood, sweat, and tears. But it wasn’t. I felt myself withdrawing from my studies, my grades began to drop, I stopped practicing as often. For the next two years I tortured myself in music school, trying to force myself to enjoy singing like I used to. It was useless. In the Summer of 2020, I switched my major to Tourism & Hospitality Management, but after taking one class I realized that it was not for me. In a panic, I turned to my advisor who asked me a question that turned the course of my college career on its head: “Was there anything you used to be passionate about before music?” Yes, yes there was.


It took a lot of digging, but I was eventually able to find the flash drive I used to save all my stories on, buried in a box in my closet that I had not opened since I got to college. As I sat down and read through them, I noticed that the premises of many of my unfinished stories would make great television shows or short films. After several days of research, I officially changed my major to Media Studies and Production and started attending the Klein College of Media and Communication at Temple University.

Which leads me to today: nineteen months, two premiers, and one award later, starting my first day as an intern at JTWO Studios. I don’t know what’s in store for me here, but I’m excited to see where it takes me (and also to hang out with the dogs)!

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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JTWO Welcomes Intern Jake Horoshko


By Jake Horoshko

What do you want to do?

This is probably the most annoying thing a teenager can be asked. As you get older and learn to drive and take care of yourself you have to start thinking about college. When that time starts to come everyone is wondering what you want to do with your life. In reality it’s pretty crazy to expect a teenager to know what they want to do with their life when their biggest concern is their next intramural basketball game or what video game they are gonna play when they get home. Those are not the top priorities of someone who should be making major life decisions. So I said what most other kids my age said, “I don’t know.” I played sports my entire life and always intended to play football in college but I knew that my playing career would come to an end sooner rather than later. I had become so invested in sports that I thought maybe I could be a high school teacher and a football coach at the school. That was a path that many people I knew had taken and something I could see myself doing. In the back of my mind however my dream was to work with movies. While sports had become very important in my life, movies were my first love. My grandmother always tells me I learned to work the VCR before I could talk and I would watch the Toy Story movies on a loop everyday. However this just seemed too far-fetched for me to even bring up to other people, especially because my childhood home was about 5 minutes away from pure wilderness and no one I knew ever even tried to make a career in film. I was always considered the funny guy and prided myself on being the most creative person in the room. Looking back it frustrates me that I didn’t realize what I wanted to be for so long but I eventually did.

I started to come to a realization when I was 16 and I went on a vacation to California with my family. Our first stop on the trip to California was Los Angeles and we had a few studio tours planned. I am a massive fan(probably a little too big) on anything you would consider nerdy so this sounded like a dream come true. Our first trip was the Warner Brothers lot and the entire time I was in awe of what I was seeing. I saw home fronts that were used in iconic movies and shows, I saw sets that were being used just a few minutes before I was there and then I was shown the props and costumes from Batman v. Superman and I was at a loss of words. As we walked out I said to myself “I can do this.” After seeing those sets and the people working on them I realized that this was the industry I wanted to be a part of. Movies were movies that meant so much to me growing up and helped shape me as a person, so why wouldn’t I want to help create those moments for someone else? We continued on our trip and went on a few more tours and I continued to be mesmerized by what I was seeing. Countless props and locations that I watched everyday and my mind was made up, this was what I wanted to do. We eventually went home and I continued with my normal life of playing football and basketball and being a regular kid, however it felt like a small weight was lifted because I finally felt like I could answer people when they asked me “What do you want to do?”

As my college search began there were two things I knew, I wanted to study film and I wanted to play football at the highest level I could. After recruiting trips and long phone calls I decided to attend Monmouth University in New Jersey to play football and study communications. I was so drawn to the school because I was offered the opportunity to play Division 1 football for a team on the rise. However I grew frustrated being away from home for the first time and not knowing anyone. I enjoyed communications however I did not love it, and playing football was fun but lots of hard work. I decided I didn’t want to waste any of my time so I had to make a decision. Ultimately my life there did not last long as I left after one semester and I was once again looking for a college.

When I was applying to colleges the first time I was really interested in Temple University because of its high level football, location, and great film program, however I did not get in the first time around. So when I applied again I knew that was where I wanted to be. It was the only school I applied to and that made me very nervous. I eventually got in and decided to attend as a film student and not pursue football anymore. My first few weeks there were great as I loved the school, the location, and the people but I felt like something was missing. I once again decided to take a gamble and tried to get in contact with the football coaches at Temple and tried to walk on. After talking with them I was offered a spot on the roster as a walk on and was once again a student-athlete. I worked hard and had so many great experiences on the team and made lifelong memories. As someone who cried when the Eagles finally won a Super Bowl it is safe to say running out of the tunnel at the Linc is something I could never forget. However I eventually had to make one of the most difficult decisions of my life when I got a concussion during practice, which was not my first. When it first happened I’d decided I probably wasn’t going to play anymore for my health, however as I got better I decided I should play my final season of football. The more I thought about it though the more I realized that telling stories was my true passion. If anyone tells you they loved every second of playing football they are lying right to your face, especially if they played in college. I decided it was time to hang it up and focus on my passion that I eventually wanted to make my career.

Reflecting on my time as an athlete, I learned so many valuable lessons. I felt odd when I was playing because I felt a little different than everyone else on the team. I was a Division 1 football player who had aspirations of becoming a filmmaker. At the same time I felt different in my film classes because there were almost no other athletes that were studying film. At first this made me question if I was making the right decision because no one else was really like me. However I quickly realized that I was gaining experiences that no one else in my space had. This reflects me as a person and who I have always been, I have always thought about things differently than everyone else. I was always the funny creative one rather than the smart analytical one.

As my college career ends and I prepare to enter a new chapter of my life I cannot overstate how excited I am for my internship at JTWO. I know that during my time here I am getting to work with so many talented individuals on so many great and exciting projects. I cannot wait to see how my skills grow during my time here and see how much I grow as a content creator.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

JTWO's [INC]ubator Project Brings You "Painting Home"


Coming up with this project idea was hard for me. I am usually the one behind the computer cutting up someone else’s idea. I knew I wanted to make a story that mattered and created awareness. I started researching nonprofits in Philadelphia and immediately went right to their “story” page to read about individuals they have helped. I came across Philadelphia Artz, which is a nonprofit organization that helps individuals with Alzheimer’s by having them interact with art. This sparked my idea for my project. 

Dementia is a very common term used for the many forms of mental decline that has unfortunately affected many individuals in some way or another. However, there are glimmers of hope through research and therapies that have helped stall and prevent major symptoms. That is what I wanted to capture in my short. There is hope.

Filming this project was definitely a challenge. Finding an art gallery in Philly to film in was not easy. I emailed, called, showed up and got declined. Eventually a gallery responded to me and it was the perfect spot, The Art Space Gallery. The owners, Chris and Andrea were so supportive and really believed in the story. The film would not have been made without them. 

Directing is something I have not done in several years. I wanted to be the most efficient and effective director for this project by handling my pre-production work as much as possible before the shoot. This definitely helped me, my crew, and cast know what I wanted for this project. 

The shoot went great and that’s all to my crew and cast. They helped me along the way to make this project turn out the best it could be. 

After production, I was in my comfort zone. I immediately started cutting and assembling footage. I found that I did not like the way I set up the props in the beginning shots. I was very frustrated that I didn’t take the time for set design and make sure everything looked good. I ended up cutting out those shots and moving forward. I had as many people as possible watch my cut to receive feedback. I believe feedback is the most important in editing. It helped me make the project stronger.

When I felt happy with the cut I took it into Davinci Resolve and played around with color and movement. I really would have liked the colors to be more practical effects, but the gels we used for the film were not saturated enough for the effect I wanted. However, it made just enough of a color difference in the footage where I was able to key out the colors and manipulate it to what I wanted. I think it’s the best part of the project. 

I am so grateful for all the help and support I received to make this project. 

Meet the Director

Lana Duda is a recent film and post-production graduate from Temple University looking to pursue and edit stories that are under-represented in film and media.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More


Writer and Director – Lana Duda
Cinematographer – Alex Nicoletti
Editor and SFX – Lana Duda
Sound -Tony McCall
Old Man – John Nicoletti

Museum Employee – Lauren Koob
Location – The Art Space Gallery
Music – Darkstar83: “As I Breathe In Memories”


JTWO's [INC]ubator Project Brings You "The Journey: Rachel's Story"


From the beginning, I knew I wanted a change of pace for this project. I’d spent the last year or so working on a narrative film as my thesis for college, and by the time I was done, the thought of doing another narrative piece made me want to tear my hair out. Don’t get me wrong, I love narrative work with all of my heart, but I was just so burnt out. Naturally, I shifted to another form that I greatly admire, documentary. I wanted to do a piece on an individual or organization that really stood out to me. I wanted to tell someone’s story and be able to give them a piece that they can use on social media doing just that. I soon ended up with the idea to do a piece around tattooing. I’ve always loved tattoos and have long admired the large amount of skill and effort that goes into making pieces of art become a part of someone’s body. I spent so much time in my adolescent years watching various tattooing tv shows (Best Ink, LA Ink, Ink Master, to name a few), daydreaming of what I’d get tattooed on my body once I was old enough. I think young Lauren would be a little disheartened to know that she’d still only have one tattoo by the age of 23, but hey, quality work is expensive, and rightfully so. 

Seeing so many memes and forums dedicated to exposing people trying to shortchange artists for their work has gotten me more and more fired up as time has gone by. Being an artist myself has only increased my awareness of it. A field I see so often treated this way is body modification, specifically tattooing. In the age of cheap piercing guns at malls and anyone being able to buy tattooing and piercing equipment online, the value of these skills seems to have decreased. Sure, it’s great that these things are accessible, but the appreciation of quality work has also decreased. I can’t even count the amount of times I’ve seen friends and acquaintences get poorly-executed tattoos or piercings because they were cheap, resulting in infections, blurry lines, regrets, and keloids alike. That, and many years ago body modification was seen as reserved only for “bad people”. If you had a tattoo, you were up to no good. I knew that once I thought about doing a piece on tattooing, I had to do it. It’s my belief that the more exposure that can be given to the art and artisans in this field, the more people will come to accept and value the practice as an art form. I think it’s worked so far in the grand scheme of things! With each generation, more people are expressing themselves through body modification. So that was my plan. Once I figured this out, I still had one issue: Who do I do a piece about? I had several different ideas, but the one that stuck out to me the most was reaching out to an old friend from high school: Rachel Friel.

I’ve always admired Rachel throughout our time in school. If you had asked me to give an example of someone “cool” during this time, my answer would have been them, hands down. As someone who struggled with fitting in and suppressing who I was, I was in awe of the way they expressed themselves. They just seemed to march to the beat of their own drum, and that alone was badass to me. Rachel was also one of the most talented people I’d met during this time. Whenever I’d see anything they’d be working on I would ooh and aah over the quality of it. I knew they’d go places. Going forward, I kept tabs on Rachel’s journey through art school as mine progressed as well. I found that their journey of figuring out what the right path was for them reminded me of my own. When I saw Rachel had started tattooing over at Ahava I was thrilled! I had reached out to them a bit before even starting the internship to tell them that I was so happy to see that they were doing something with their artistic skills that really seemed to be something they love doing. It made me so happy to see them find their niche. I think small Lauren and small Rachel (pictured below) would be stoked to see just how awesome the quality of current Rachel’s work would be.

My biggest piece of advice: Have all of your ducks in a row before you pitch an idea. This just isn’t for future interns at JTwo, but everyone ever all the time always. This was my biggest mistake, and it lost me the entire first week of my 2-week period for this project and set me back substantially. I had waited to hear back from a potential subject for my documentary for a whole week with no response, and did not get an answer until that point. My line of thinking had been that I should wait until my pitch was approved so I don’t seem like I’m flaking on a potential subject if it isn’t up to par, but in trying to be considerate to others, the whole thing just kinda blew up in my face. Not fun. Thankfully, I was also considering Rachel at the time, and quickly reached out to them. They were gracious enough to let me poke around their apartment and Ahava on such short notice, and I’m very thankful for it. Having your head in the game is more than just lining up your documentary subject, however. I’m talking about shot lists, storyboards, call sheets, equipment lists, the whole thing. Thinking of these things in advance is something I’m getting better at, but wish I had down to more of a science like my co-intern Lana does. (I was in her project, so I got to see her organizational skills firsthand.) Seriously. Planning is so much of the battle. It’s nice to have everything in order when you step on set so you can really just focus on what you’re doing in the moment. All in all, I think I’ve learned so much during this process, and at JTwo in general. Sometimes the important lessions are learned the hard way, but even when you mess up and lose an entire week on your project you can always pull yourself together and do your best, learning from your mistake going forward. It can feel hard to admit that you messed up (in any way), but it’s more freeing when you acknowledge it, learn from it, and let it go as you move forward.

Meet the Director

Lauren Koob is a recent graduate of the University of the Arts in Philadelphia, with both a BFA in Film and a BFA in Acting. She seeks to create work that is rooted in the exploration of the depths of the human condition and hopes to show through her work in directing and cinematography what she believes to be beautiful.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More


Writer and Director – Lauren Koob
Cinematographer – Lauren Koob
Editor – Lauren Koob
Editor – Lana Duda
Sound: Audrey Zycinsky
Talent: Rachel Friel
Music by Dani Jalali – “NY Girl”
Music by Capt QUBZ – “Get Down”
Music by Rex Banner – “Easy Money”
Music by Ziv Moran – “Listed Thoughts”

Jtwo Welcomes Intern Lauren Koob


By Lauren Koob

For as long as I can remember of my 23 years, I’ve been labeled as “difficult” by others. Passionate, over-emotional, fiery, intense, whatever word you want to use for it. It was what frustrated teachers who didn’t have answers to my constant questions and irritated other kids. It was what I was told made things hard for me with socialization overall. When working in groups, I was labeled as “bossy” because I usually had a vision for whatever was being done, artistic or otherwise, and would give people directions. And yet, it was also praised by those same teachers, who would remark to my mother that I was the best out-loud reader in class, that I was the best kid to pair up a new student with, that I was a “pleasure to have in class”. It was confusing, to say the least. The same parts of myself that were applauded in gifted and talented programs and drama club were shunned in my realm of human interaction. This confusion added fuel to the fire, and led me to be even more of a “difficult child”. My angry crying when some boy would make a snarky remark in class increased tenfold, and I grew frustrated with myself. Over time, I grew tired of crying, tired of being the difficult girl, and by the time I was in high school, I wasn’t even myself. I was a shell of the person I was as a child, a mere flame compared to the roaring fire that I came into the world as. I became quiet and docile. I started to stutter when reading aloud in class. I sweat bullets any time someone spoke to me, regardless of who they were. But I was finally no longer “difficult”. In cutting out this part of myself, I had lost touch with who I was as a person, and began to question everything about myself. It was only in the world of art that I still felt that connection to the child I had been a long time ago. It was acting and film that kept me tethered to that last piece of myself left. 

By the end of my time in high school, I had grown bored with trying to fly under the radar. I wore weird clothes and strange hairstyles and said obscene things to make people laugh or get pissed off. I reveled in making people angry, a complete 180 from before. So when it came time to pick what to do with my life, I threw caution to the wind and kicked up even more of a storm than I usually did by deciding to go to art school. I was still an anxious little clam, though, so the concept of becoming a filmmaker and potentially being labeled as “bossy” again still scared me, despite my volatile fashion choices and sailor’s mouth. I decided instead to go to school for acting, and ended up at the University of the Arts (which I just graduated from) here in Philadelphia. Yet, I soon found myself deeply unsatisfied with just doing Acting Major things, and declared myself a film minor my first semester of freshman year. During the single film class I had, something had awakened in me. At the end of the year, I sat down in my advisor’s office and felt a question jolt through me out of nowhere:

“Can I be an Acting Major and a Film Major?”

The short answer was no. The long answer is that the two programs did not mesh schedule-wise, and there seemed to be some resistance towards the idea in general, as it had never been done before. Both my Acting and Film advisors were invested in the idea, though, so the three of us collectively pushed to change the system. I had chosen the school due to their narrative of interdepartmental and interdisciplinary crossover, so why not? It was exciting for all of us, and for once, it felt like I was being truly commended for pushing for what I want. From the beginning, I knew I would have to tack on an extra year of school to pull it off and go over the regular credit limit some semesters, but I had made peace with that. And so… it happened, making me the first of my kind at the University. Most of my time was spent running down Broad Street, booking it from my Stage Combat classes five blocks away to make it in time for Film History or anything else in that vein. Moving forward, I noticed that despite my constant grind, some professors didn’t take me as seriously as other students. At first, I had thought it was due to some lack of skill of mine, or the fact that I was originally just an Acting Major. I distanced myself from my theater school identity when in my film classes and pushed to learn everything I could, but soon realized it wasn’t my acting history; it was that I was female and the students that were treated like actual filmmakers were mostly male.

Growing up, I was the filmmaker of the house. Armed with a small digital camera (one which would be replaced every couple of years due to their inevitably short lifespan back then), basic editing software, and a bored friend or two, I made my first works as a filmmaker. Music video remakes, dramatic puppeted movies using American Girl Dolls as our actors, fake talk shows where I hosted; these were the works that came out of my adolescent mind. I commanded the controls of my ancient version of Windows Moviemaker with the ease of a expert pianist performing for thousands and churned out my 480p masterpieces. Sadly, many of these were lost to time and outdated technology, but honestly… it might be better that way. Those that have survived on old flash drives and laptops are cringeworthy at best, but it’s still nice to have something to look back on. And when I wasn’t making, I was acting in the yearly musical at school and watching anything I could get my hands on. I anguished over not being old enough as an actress or filmmaker to contribute to my favorite films in the ways I knew how. I lamented over the fact that I wasn’t swordfighting or directing a crazy scene or being hailed as my generation’s next big creator. But even during my gripes, I felt more alive than I had felt since I was that child kicking up dirt and driving the adults around me crazy. I clinged to that.

This is by no means me condemning all men in the industry or my male/masculine presenting peers. Men are just as lovely and talented as women! But time spent in feminist film classes and having a space with my female/femme friends to discuss what had been happening to all of us made us realize that our experiences weren’t singular by any means. It was the realization that we were being treated differently that launched me back into my childhood self, full of angry tears. Suddenly I was the same little girl who clenched her fists and demanded respect and an apology from a kid who said something I was told to ignore. I had grown tired of sitting by and letting my friends and I be disrespected, treated like we weren’t real filmmakers and that our work made about the female experience was inferior. Many of us chose to channel this into our work, myself included. But I was also not afraid to speak up. It was during this experience that I truly felt myself become free of my fear of being seen as a “nuisance”, and I realized why I had been labeled the way I have been my whole life.

Because I am female.

Knowing that there wasn’t something wrong with me, that if a boy were to do any of the things that I did which were considered “troublesome”, he would be applauded for “strong leadership skills” or “good character”– it was such a freeing realization. To know that I’m not wrong, but the patriarchal standards set for women, especially in the film industry, are wrong was mind-blowing. I started to actually believe the things I had been telling myself for so long, like that I was talented and a good filmmaker. This whole epiphany came while filming my senior thesis project, and the difference in my presence as a director and filmmaker in general was palpable on set. I learned something valuable. That I need to walk into the room and know that I am talented, that I am of value, and that if whoever it is I may be auditioning for or applying to can’t see that, then there will be someone else who does. I think that’s such an empowering perspective to take. There is nothing to be gained professionally by downplaying your skills and making yourself lesser, aside from patriarchal approval. I have come to embrace who I am, flames and all. I don’t think it’s a bad thing to be passionate or intense or a leader or anything other than submissive and smiling as a woman. Those are qualities you need as a filmmaker, as an artist, as a person. As I’m writing this, I’m dealing with the internal struggle of “do I put this kind of thing out on the internet and potentially not get hired by someone because of it, or do I stay true to who I am and be open with that?” which is proof that I still have a lot of work to do, but I know I’ve come a long way. I’m not different from anyone else in that I have “too many” emotions or fire back when something upsets me. I am a person, just like men, just like other women, just like non-binary folks. It’s just in my nature to be more open about my thoughts and feelings, and I shouldn’t have to be ashamed of that. My journey as a woman and student of feminism and my journey as a filmmaker are so deeply tied together that if I were to separate the two for this, I think it would be a truly disingenuine representation of myself and the heart of my work. So here we are.

Wow, you made it through all of that! Now here’s the part you’re probably looking for: I am ridiculously excited to be interning at JTwo. I seek to create work that explores the depth and complexity of the human condition and am dedicated to raising the voices of those who cannot be or will not be heard in my work in both large and small ways. In addition to that, I have a passion for Stage Combat, and hope to have more opportunities to choreograph fights and expand my list of certifications so that I can use those skills in my work. I think combat is an extension of the extremes of human emotion, and am deeply fascinated by that. (Plus, I was raised by massive nerds, so my Lord of the Rings fangirl self has always loved it.) Overall, I just really want to tell a good story in the best way possible. It’s my belief that giving yourself to the story, to put your body and soul into your work, is one of the most selfless things possible that you can do as an artist. It’s not easy to be vulnerable, to let yourself dive all the way in, but the best work always seems to be made by those who put all of themselves on display and channel that into their creations. I think this philosophy reflects my work as both an actor and filmmaker, and why I was so drawn to this company. After all, “the story is everything”. If your heart and soul isn’t in the things you make, be it a feature film or just an introductory blog post for your internship that probably only five or so people will read, what’s the point?

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More

Jtwo Welcomes Intern Lex Forge


By Lex Forge

Character Description:
Lex Forge (male) – 21 Years Old
A Pennsylvania State University film major seeking inspiration


A man — early 20s, unshaven, disheveled hair — sits on the floor leaning against a bed. He’s occupied the same position for some time now. He sits unmoving, his eyes staring forward into space — they seem to be focused on everything and nothing at once. But his outward stillness is deceptive. 


He’s wading through a thick haze. The room is quiet but a low rumble fills his ears. It sounds like a muffled chattering, an ensemble of indecipherable voices. They coo, they hiss, but they remain unclear. There’s too many, only the occasional word cuts through the noise. The man is tempted to listen closer, to try to understand them. But he knows following them will only pull him further into the fog.

The ever present fog. It envelopes him. In every direction there only seems to be more of it. It’s beginning to slow the man down. Moving through it is disorienting. There’s no tether to follow back to where he started, no indication of where he’s going or where he’s been. Has he always been in the fog? Was there ever a time without it? He just knows he has to keep wandering. He has to keep wandering through that oppressive uncertainty. But suddenly he stops. He has the distinct sensation that he’s reached a precipice. That one more step will send him plummeting over an edge and into that fog forever. Then the whole struggle will have been in vain. There’s a reason he’s reached this point. He believes that. He was meant to reach it. He doesn’t dare move. The rumbling has stopped. There’s an eerie sense of quiet. Is… is the fog thinning?

Then a bright flash erupts through the fog. It explodes with such force that everything is instantly illuminated. There’s nothing but the light now. It washes over the man and for a moment everything makes sense. The fog is gone. The journey is complete. Then as quickly as it appeared, the light vanishes. The fog descends once more.


The man snaps back to reality, feverishly scribbling an idea down on a piece of paper. It was only a brief glimpse but there’s no mistaking it: inspiration has struck. He knows he will have to travel into the fog once more. But at least, momentarily he has silenced his doubts and remembered why he chose to be a filmmaker.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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Jtwo Welcomes Intern Lana Duda


By Lana Duda

I see filmmaking as the ultimate form of art. It’s visual, auditory, emotional, informal, and can bring people together. Visual media is something that has become so accessible and dominant in how individuals see and understand the world. Being a part of the film industry gives me the opportunity to create media that accurately represents the truth and heart of a story that can inspire and educate viewers. Film is a window into the cultures and the lives of others. My goal in this industry is to be a part of those stories and help those individuals be heard.

I grew up watching films that changed the way of visual storytelling, Citizen Kane, Tokyo Story, Vertigo, Touki Bouki, etc. Those films have become a foundation towards my storytelling, representation, and the history of film. Film is so powerful and I want to be a part of the new age of filmmaking that elevates these stories to a more equal, realistic, representative level that has allowed more individuals, innovation, and ideas to be seen. 

The funny thing is, I never saw myself heading down this career path. I always had a very natural creative ability, but I grew up in a very math and science dominated school and unfortunately, the arts was something to be budgeted and cut. Not until my senior year of high school did I question filmmaking. I applied to Temple University as a Biology Major and I was not happy. I was doing things that I thought others expected of me instead of taking the risk to say “I don’t know what I want to do”. I declared undecided and took a film class. I finally felt like I was in a space where I could be creative with others. 

From there I declared film and fell in love with Post-Production. In those four years I learned and dedicated myself to working on projects that told an important story. I cannot imagine doing anything else. Post -production is the perfect amount of creativity and technological ability that continues to teach and challenge me everyday. It’s something I can do for hours on end and never be sick of it.

As my final semester at Temple came to an end, I talked to a mentor who told me about JTwo Films. I reached out to their head editor to talk, connect, and ultimately learn from their experiences as an editor in Philly. They themselves interned at JTwo and through hard work and dedication they were recognized and rewarded. Besides their amazing works and stories, that is something that really stood out to me. I had nothing to lose. I applied for the internship and now I am extremely thankful to have this position and be a part of JTwo’s storytelling experience.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

Learn More


JTWO Creates Animations For Frame.io Camera to Cloud Series


Our VFX + Animation team recently partnered up with Frame.io to create multiple animations for their recently released 13 part series, “Camera to Cloud.”  Camera to Cloud was created for filmmakers to have the fastests, easiest and most secure way to get their footage directly from the camera to their collaborators. Our team incorporated animations in the 13 part series showing breakdowns of how this is possible through Frame.io’s platform. We are thrilled to be teaming up with their team to roll out this new technology that will change the game for filmmakers everywhere.


Client: Frame.io

This animation is from Frame.io’s 2nd episode explaining the breakdown of modems and routers.



Client: Frame.io

This animation is from Frame.io’s 7th episode: Digital Dallies